to-the
to the second person and decodified, which means understood. Foreigners probably would use the body language and hands to transmit their message. Jean-Do used his eye. Together with logopediste Henriette (Marie-Josée Croze) they create the unique way of communication – one person reads the alphabet, where characters are classified to their use frequency, and Jean-Do blink each time when the letter he needs is pronounced. From that letters he builds words, from words sentences. This lets him communicate with others, talk on phone with those who are not able to visit him, and this let him even write a book. In The Diving Bell and the Butterfly cinematography, edition and sound express how Jean-Do's delivers his message. The camera replaces the eye and ear, registers the pictures and sounds, and copies Jean-Do’s impression, cutted, deformated, shaking. Sometimes we can hear voices but don’t see the person; sometimes we don’t hear anything; sometimes we can hear the enjoyable sound of TV when the program ended. Everything exactly like Jean-Do might feel. Cinematography shows his thoughts, everything that is in his head and nobody else has access to; like our thoughts and dreams we never share with others. Edition is the